Ah, the ludicrous stylings of Toto. As a preliminary matter, it's worth noting that the band itself is supremely fascist in concept and execution. With Toto (Latin for "total"), we have a collection of faceless Los Angeles-based "ace session musicians" who decided, amid the most fascist era in rock history (the late 1970s, which was so overwhelmingly oppressive that it gave rise to punk) to max out the corporate card. Toto's music is so self-evidently fascist that there's not much novel insight to share.
The album art merits comment, however. First thing you notice: They like swords. On their eponymous 1977 album, the sword is exalted in space, framed by some kind of medieval family crest, and shrouded in purple steam. This album cover so completely hews to fascist principles that it seems to anticipate the existence of FASCISTMUSIC.com. (Side note: What was the space fascination in so many late-70s albums? No wonder two generations thought corporate rock was for losers. Millennials, of course, don't collect albums, so they can enjoy Journey's and Boston's tasty jams without the disqualifying images.)
The sword theme continues on their most popular album (the one with "Africa"), IV, and so does the enwreathment theme, with golden rings surrounding the sword against a blood-red background. If there's one thing a fascist likes as much as violence and oppression, it's golden rings. We feel the impulse to genuflect before this album cover.
Don't you worry: There are swords on most of Toto's remaining albums, including its greatest hits packages. But I wanted to show some other sides to Toto. The "Africa" single initially seems like a refreshing blast of liberty, and in some ways it is. Look, it's the guys! Yes, it's nice to see some faces. But there are six of them, not a great sign (in toto, 45 souls have cycled through this "band"), and who knows who any of them are, and they look like Scarface extras. Still, that's the look of the era, so let's be generous. And look, Africa! They care, right? Well, let me stop you there. They blessed the rains down in Africa. Gods of a primitive continent, right? Is there another interpretation? And look at that "Africa" font, stamped like a C.A.R.E. package. We need to move on.
Finally, we have Toto's sad 1999 effort -- aren't they all? -- Mindfields. This Matrix agent is peering into your mind, of course, and the world is warped, and all he sees in your mind are fields. There's some Asian writing for some reason. All this is disturbing, albeit in a stupid way. Toto is again trying to intimidate us with their fascism, and the fact that they fail does not detract from the darkness of their attempt.
What is fascist music?
In Dave Marsh's 1979 review of Queen's Jazz, he wrote, "Indeed, Queen may be the first truly fascist rock band." No other word so neatly expresses supremacy of the powerful and devaluation of the individual.