If you want a fascist record, it helps to start with a fascist title. The faceless boys from Lifehouse (where are they from? Do you have any idea? L.A.) could hardly do better than "No Name Face."
The music itself is dead-ass rock, otherwise known as "butt rock." Distorted guitars playing lead over a gloomy bed of crunchy acoustic and electric guitars, with a gutteral vocal buried deep in the mix. You know the type: Goo Goo Dolls, Fuel, Creed. The post-grunge rejection of personality. All duly fascist.
What makes No Name Face particularly interesting as a fascist artifact is its timing. This album, released in May 2000, bridged the gap between an era in which rock was the dominant form of music (albeit in depleted form, with Matchbox 20, Vertical Horizon, and Creed leading the way) to an era in which rock was unquestionably dead. No Name Face and its single "Hanging by a Moment" owned 2001, with "Hanging by a Moment" Billboard's top single of the year. When No Name Face exited the charts in September 2001, the world was different. J.Lo, Alicia Keys, and Destiny's Child ruled music. R & B would eventually pass the torch, but never again to rock. Exactly one band had a #1 Billboard Hot 100 hit after Lifehouse, and that was Nickelback. Lifehouse presided over rock's funeral. "Rocket 88" to "Hanging by a Moment," 1951 to 2001, R.I.P.
Did Lifehouse kill rock? Probably. "Hanging by a Moment" was ubiquitous in 2001, and not in the good way. Some of the pop sheen that Third Eye Blind and Matchbox 20 had introduced into rock in the late 1990s had by then become rote formula, and Lifehouse bludgeoned that formula to death. Quiet verses, big chorus, universal lyrics, strings, and even a beat drop. And a sad Vedder vocal ripoff to boot. As "Hanging by a Moment" got its millionth spin on FM radio, the world woke up from its 50-year love affair with rock and said, "This just isn't working." Nickelback was the spasm that the world curb-stomped to make sure rock never came back, but Lifehouse was the death star that did it in.
The greatest musical invention of all time, the language of freedom, the symbol of rebellion, the vehicle for Dylan's poetry, the actual vehicle for Springsteen, a genre so big to include Chuck Berry, Led Zeppelin, U2, and Bowie... killed by Lifehouse. I don't care if they're nice lads; they'll always be assholes for what they did to rock. You can't get more fascist than killing the people's music.
This demented January 2016 performance by USA Freedom Kids was an immediate legend of fascist music. The fascist nature of this performance is total, from concept (let's get some little girls to extol Dear Leader) to presentation (American flag costumes!) to setting (some batshit rally in Pensacola) to lyrics ("Enemies of freedom / Face the music / Come on boys, take 'em down!") to music (blippy and hellish) to the mere existence of this band (Florida Svengali devises scheme for his daughter to perform and gain him $$). It should be obvious that this video occupies rare air even among its fascist brethren.
The best (worst?) part of this whole thing is that the object of their jingoistic praise is now the not-unfascist President of the United States. Perfect. I only regret that I have but one post to give USA Freedom Kids.
What is fascist music?
In Dave Marsh's 1979 review of Queen's Jazz, he wrote, "Indeed, Queen may be the first truly fascist rock band." No other word so neatly expresses supremacy of the powerful and devaluation of the individual.